This catalog, produced in conjunction with Sugimoto's upcoming exhibition at the Izu Photo Museum in Japan, documents this important artist's recent investigations on the science and the presentation of photography. Documenting in detail Sugimoto's architectural and landscape design of the new Izu Photo Museum, the book is at once a reinvention of the artist as architect, as it...(展开全部)

Reissued on the tenth anniversary of its publication, this classic work on our environmental crisis features a new introduction by the author, reviewing both the progress and ground lost in the fight to save the earth. This impassioned plea for radical and life-renewing change is today still considered a groundbreaking work in environmental studies. McKibben's argument that th...(展开全部)

Reissued on the tenth anniversary of its publication, this classic work on our environmental crisis features a new introduction by the author, reviewing both the progress and ground lost in the fight to save the earth. This impassioned plea for radical and life-renewing change is today still considered a groundbreaking work in environmental studies. McKibben's argument that th...(展开全部)

The major work and Adorno's culminating achievement. Negative Dialectics is a critique of the philosophies of Kant, Hegel, and Heidegger, and a visionary elaboration of the author's own vision of dialectics.>

The major work and Adorno's culminating achievement. Negative Dialectics is a critique of the philosophies of Kant, Hegel, and Heidegger, and a visionary elaboration of the author's own vision of dialectics.>

The classic introductory text offers a balanced survey of Ecology. It is best known for its vivid examples from natural history, comprehensive coverage of evolution and quantitative approach. Due to popular demand, the fifth edition update brings twenty new data analysis modules that introduce students to ecological data and quantitative methods used by ecologists. It supplemen...(展开全部)

In every way, this book is a fresh and daring perspective on the natural world and those that live in it. By removing colour from the visual element, the viewer is encouraged to interact directly with each image on a subjective level and to take from it a uniquely personal experience. The text is in caption format, and helps create a multilayered work that hints at both poetry ...(展开全部)

In every way, this book is a fresh and daring perspective on the natural world and those that live in it. By removing colour from the visual element, the viewer is encouraged to interact directly with each image on a subjective level and to take from it a uniquely personal experience. The text is in caption format, and helps create a multilayered work that hints at both poetry ...(展开全部)

保罗·费耶阿本德，贝克莱大学，哲学教授，苏黎世联邦科技学院科学哲学教授，逝于1994年。他反对方法和理性，提倡科学自然主义，被称为“科学无政府主义”代表，是当代最著名的科学哲学家之一。主要著作有《反对方法》、《告别理性》、《自由社会中的科学》、《哲学论文集》(三卷)、《消磨时光——费耶阿本德自传》、《征服丰富性》等。